Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 153

ID: 47410

unknow artist Arab or Arabic people and life. Orientalism oil paintings 153
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unknow artist Arab or Arabic people and life. Orientalism oil paintings 153


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unknow artist

  Related Paintings of unknow artist :. | Scandinavian Sommarkvall | Still life floral, all kinds of reality flowers oil painting 332 | Sexy body, female nudes, classical nudes 94 | Andrei Rublev, The gammaltestamentliga Trinity | Still life floral, all kinds of reality flowers oil painting 103 |
Related Artists:
TENIERS, David the Younger
Flemish Baroque Era Painter, 1610-1690 a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter
Richard Earlom
English Printmaker, 1743-1822,English printmaker. Taught by Giovanni Battista Cipriani, he worked in mezzotint, etching and occasionally stipple. His mezzotints of flowers and still-lifes, such as Roses for the Temple of Flora (1805) by Robert John Thornton (?1768-1837) or the Fruit Piece (see Wessely, no. 145) after Jan van Huysum, are also found printed in colours or coloured by hand. Earlom's most influential prints were a set of outline etchings combined with mezzotint of the volume, then belonging to the Dukes of Devonshire, of Claude's drawings of his own landscape paintings
Alois Auer von Welsbach
Wels1813-1869 Vienna






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